Recent new prints.
Click on the thumbnails for a larger view and details.
Click on the thumbnails for a larger view and details.
All of the prints here are for sale (unless marked as 'sold out') They are all totally original hand printed limited editions on fine paper. Size and edition details are on the captions
Prices for unframed prints range from £40 for a small simpler image to £250 for some of my large complex works. I can ship unframed work anywhere in the world.
If you are interested in buying my work, please contact me for details and prices.
'Stride' is a little print made using the lino blocks I carved originally intending to impress them in to clay objects. Another Covid Casualty Project I'm afraid! The Fishing otters were fun to do and the 'Dandy Lion' and 'Squeakers' were made in response to discussions with a publisher about those British mammals less commonly chosen by printmakers.
This 'Spuggies' (Sparrows) print was my first 'Lockdown Project' and took a long time to complete; partly because of that strange time and partly because it is large and complex and was long winded print to make. Here is a video on the technical details of this. https://youtu.be/-JQb7RJCSm4
The Curlew is an iconic bird of this area of SW Scotland and is in severe and worrying decline. I made a tiny 'study' version of this too. The Fisherman is another print using direct painting on to the screen mesh with filler; over the top of a manipulated linocut image.
The Curlew is an iconic bird of this area of SW Scotland and is in severe and worrying decline. I made a tiny 'study' version of this too. The Fisherman is another print using direct painting on to the screen mesh with filler; over the top of a manipulated linocut image.
Next are two large screen prints made specifically in response to a brief for a planned exhibition in Belfast, about 'The North Channel' - the strip of sea between N. Ireland and W. Scotland; which has seen much significant travel over the centuries. It was planned to exhibit them as a pair - along with their associated poems. Sadly - due to the Covid 19 restrictions, the exhibition is postponed. The images are made entirely by hand painting stencils directly on to the mesh of the screens; along with the use of blended colour. The poem texts have then been added by photo stencil.
More prints from the second half of 2019: The Raven was great fun to do. See blog post about it here. The Mouse is a little joke I've made before, but given a better linocut treatment. The Spell (now sold out) was one of the fastest selling prints I've ever done and was made from a tools demo lino block. The Blackcap was a further attempt at 'blind embossing very heavy paper with lino.
Two of these next four pieces were both commissions of a sort. This is not something I normally do as most people would not want to pay for a full edition. So I have to be convinced that I will be happy to treat the print as my own and the commissioner will get 'first pick'.
'Stonehouse Godwit' is a large portrait of a friend's young pedigree rare breed bull and 'Habitat' is planned to be included in a fund raising book of 'UK birds of conservation concern'.
The other two are an image and poem inspired by young swallows in our barn; and also a re-visit - only much smaller - of an image I have done before.
'Stonehouse Godwit' is a large portrait of a friend's young pedigree rare breed bull and 'Habitat' is planned to be included in a fund raising book of 'UK birds of conservation concern'.
The other two are an image and poem inspired by young swallows in our barn; and also a re-visit - only much smaller - of an image I have done before.
Other new work:
Winter Visitors was something of a marathon and the greenman/hare image - 'Autumn Witch' was a print and idea which I began with little clear idea of where it might end up! See my blog for the full stories on how both of these prints were made. 'Silence' is a screen print; made entirely by hand painting stencils directly on to the screen - and 'One plus One' evokes a boyhood memory of surprising two courting Adders under a log pile.
Winter Visitors was something of a marathon and the greenman/hare image - 'Autumn Witch' was a print and idea which I began with little clear idea of where it might end up! See my blog for the full stories on how both of these prints were made. 'Silence' is a screen print; made entirely by hand painting stencils directly on to the screen - and 'One plus One' evokes a boyhood memory of surprising two courting Adders under a log pile.
Other prints from last year. Most of these are linocuts with additional screenprinted colour. Also some experimenting again with both 'blind embossing' lino and use of gold ink.
Some of the smaller ones were made making use of the small portable press I discovered last year - the 'XCut XPress' - the use for printmaking of which has already developed into something of a world-wide movement! Again - See the Blog for more on this.
More from 2018: some using only hand painted screenprint stencils; the others - as usual - combining linocut and screenprint; sometimes with separate overprinted lino blocks.
Other prints:
A set of four linocuts overprinted with simple screenprinted tints; as often - trying to marry text and image.
A light hearted linocut in both one and several colours versions.
Also two prints which are reactions to my long involvement in and love of Roe deer: 'Duel' is about the way roe bucks will fight - to the death in some cases - and is printed from three separate overlapping blocks. And 'Seconds Ago' is about that certain moment of regret many deer managers have.
A set of four linocuts overprinted with simple screenprinted tints; as often - trying to marry text and image.
A light hearted linocut in both one and several colours versions.
Also two prints which are reactions to my long involvement in and love of Roe deer: 'Duel' is about the way roe bucks will fight - to the death in some cases - and is printed from three separate overlapping blocks. And 'Seconds Ago' is about that certain moment of regret many deer managers have.
